Updates in the photos

The above image is just one of the examples that one can expect when you work with the image contained within the paremeters of the tomb lid itself.. This image was first cleaned up of the "rough" rubbing surface that was between the raised surfaces of the carved image, I did not remove nor alter any of the raised surfaces, I needed a "cleaner" image to prevent confusion of the raised image versus the "level" playing field that is between the raised images itself.

That said, the above image is produced from 1/4 of the entire image itself, the line used to cut along the central axis, was based upon the "four seasons" mentality that the Mayans followed. That is why the axis is based upon the 0,90,180,,270 degree representation. each one represents a specific time of year as it is known then and now, even the basic Indian belief structures centered and still center around this basic concept.

here is another one for you to see:



Now the law of probabilities will dictate that eventually I will receive a repeating pattern, however even with the symmetrical layout I present before you, the detail or "resolution" (the point at which the smallest common denominator is achieved) is on a very small level indeed.

This would indicate that there is a "limit" to the resolution, however beyond the limitations of the resolution, the exact nature and refinement of the "sequences" is left up to the observer and or manipulator of the image.

Any one in basic geometry would understand that any geometrical object will eventually repeat itself in a predictable pattern after anything above the usual 2 or 4 steps of division of the image. but these do not happen until the level is very small in slice among the image either horizontally or vertically thereby showing an intended "curvature" in the design..

You can reproduce these two (there are more coming) but I suggest using 1/4 divisions along the lines I have already prescribed (they are self evident within the layout itself, so you are not "adding" anything to the analogy )

James A.