The above slices are from the original 50% cuts along the markers in the image.. They show 4 distinct individuals within them, 2 distinct imagram's (2 {50} H) (combination of the word image and diagrams to denote that they were originally from at least two distinct images that formed what could be translated as a diagram of some type)

in this case the numerical data (i.e. 2 {50} H) shows that it was from 2 images at 50 percent or half the size of the image sliced along the Horizontal plane ..

As a further example, if I had 14 images that were sliced along the Vertical plane at 26.3 percent, the correct show for that would be (14 {26.3} V)

As a final example, you simply add the "," the "." and group them by alpha characters to denote multiple varied slices such as (a.12 {23.6} V, b.2 {26.3} H, c.2 {50} H) which of course means:

group "a" has 12 images that were sliced at 23.6 % of vertical, group "b" has 2 images that were sliced at 26.3 % of horizontal plane, and group "c" had 2 images that were sliced at 50 % of horizontal plane. the slices of vertical are from the left to right, while the horizontal are from the bottom to top..

Now that I got that out of the way, I will also ask you to look at the particular people depicted in the image, you can tell each one of them are not the same person because it was specifically designed with unique characters with different facial features and different headdresses in mind, that means that they represent a specific purpose I have yet to decipher in order to better understand its purpose and or meaning (could use help in this department).

The imagram's themselves show what appear to be a graphic of some type which I am still working on as well and the other two images derived from the slicing seem to have a "stop motion" two frame animation involving two different individuals as well.. So as of this moment, I have 6 unique individuals, 1 two frame animation, and 2 imagram's just from a 50% slice along the markers in the tomb lid itself. quite a teaser it is wouldn't you say so?

Supposition

If it is indeed a form of a holographically layered imaging system using phased drifted patterning as its primary source, then it could be possible to see very skewed images within the original image by "layering" each of the slices upon each other, problem with this is, you will not be able to disconcert much this way except for a brief "teaser" as to what could be considered information of a type, so as a "supposition", I give you a brief look at what can be can be shown by layering two of the images upon each other. Note that even if this is a very poor and very skewed view of the data before you, notice how the "central" marker at the outer rim (right down the middle) have lined up. interestingly enough I had to only increase the width of one of the images to line up the boarders with each other and in the process the central borders self lined by themselves.

I could now postulate that the boarders double as some form of alignment tool (as I have mentioned I believe they contain the cypher code to unlock the information contained within the carving which I have yet to figure out).. and if they were aligned properly back up, the information would become self evident..

Though as I said, thats a simple supposition in itself and does not dictate anything other then my own personal direction...

James A.

Two more examples

This one is a complete 50% "slice" right down the horizontal line using predefined markers already contained within the image itself. The results of turning this into a symmetrical rather then asymmetrical image shows that the information I am dealing with to be very dense indeed.

This is the other 50% slice of horizontal that makes the image into two distinct pictorials with an obvious further reduction along the central axis of vertical, meaning there is at least two more asymmetrical areas of interest that can become symmetrical (which is were some of the other pictures already presented have derived there image from..

What does all this mean?

As mentioned I believe the Mayans had found a way to use phased drifting for recording purposes. they had a remarkable society that had accomplished many feats of engineering that even today we have no means to duplicate as we simply do a "best guess" and still come up short.

The most current example of phase drifting we have for a "recording" purpose is based in optoelectronic technologies, and has been given the sci-fi adapted terminology of a "Holo-Cube".

A holographic cube is a set of materials that work in similar purpose to your DVD duel layer recordings you can do, the difference, is that a "matrix" is used based upon x,y and (sometimes) z coordinates rather then a spiral linear approach as is the case with your DVD duel layer recorder.

The holographic cube is as its name implies, it is a multi-layered "cube" that is not clear, but made up of thousands to millions of layers of atomically layered (plasma chamber derived) sheets of varying optically pure "base layers" and frequency responsive layers sandwiched between the base layers themselves. This then is layered to the desired size of the cube you are needing (though as of now we have models that are very small in scale because it takes at least a year to make a true holo-cube of limited size as they are still working on the manufacturing techniques)

There is only one practical application available to the general public now as a holographic storage system so I suspect it is very expensive (have not researched the maker of this device, but I am confident that you can find out who they are for your own amusement)

The reason for mentioning the device to you is to show a relationship with the images on this website versus the current way we are beginning to travel when involving holographic storage and recalling. It is my belief that the Mayans had a way of storing virtual images as a holographic event in stone. meaning that though they had stone and other raw materials to utilize, they still had then as we have now, the most powerful system on this planet "The human Mind".

I read a book that detailed the last known Mayan priest to have come into contact with in the early 70's by the author of the book. He detailed that the priest did a "dance" in accordance to a predetermined pattern, the pattern shifted from one overall design to another depending on what the priest was recalling. the priest said that these dances and the oral statements were handed down to him by his father and his father lineage on through time as his family have always been priests.

The holographic cube technology utilizes a "patterning" matrix that is adjusted per layer to store data by a tunable LASER system, the recordings are the same however, because currently they take a single image per layer and copy the image within that layer over and over again to the total length of that layer. In other words it is currently being used as a high tech photocopier with a high grade OCR (optical character recognition system) in place. the idea is that if you lose up to 75% or even higher (depending on the scale of the image stored) you can still recall the data. this means that you can allow for damage to the cube and still have it function fully (hence the government support as a tool of military applications) in the respect of using "patterns" to store the data, the priest's movements and the oral representations are very similar in results, the difference is the techniques and the "density" of the storage, the holo-cube is very dense, but waists a great deal of potential to the desire for "redundancy" while the priest's movements and oral representations, represent a more efficient use of pattern generation and recognition capabilities while at the same moment "appearing" to lose density in the storage capacity.

The priest is now dead, but the fact that the author was detailed enough to explain the priest's actions and oral representations, shows a remarkable understanding of pattern recognitions and generations that the human mind and body are capable of doing "without" the benefit of a computer, mechanical system.

I said "appearing" to lose density because there is another element in the Mayan culture of past, the stone engravings that they left behind as records of there past, we only have a "linear" translation of 1/3 of the entire language, so many aspects of the culture have been lost to time, however, it occurred to me that the Mayan culture was "multi-dimensional" orientated per Pakal's teachings integrated throughout
(as it was said he taught at least nine dimensional representations and integrated in the society)

In this particular book I read, the priest was asked by the author "where is the technology, the works of your ancestors?" .. the priest calmly scooped up a handful of the earth and gave it to the author, perplexed, the author looked at the dirt sample and then began to notice on closer inspection that the handful of dirt the priest handed him had very tiny stones with a hole right in the center of the "bead" .. the material that was used to make this hole with is too brittle for conventional means to drill, it would have shattered into a million pieces from the vibrations, in fact the only thing we have in existence right now that can accomplish this is a "LASER" , since lasers did not exist then, how did they manage to accomplish this? .. the authors respect had went up a notch from this and the priest (if i recall properly) said "it is everywhere" which the author took to mean that the technology of the Mayans was hidden in plain site for all to see, you just had to look hard enough and you would find it.

That said, the images I post represent to me what would happen if you sliced a holographic cube along a predetermined axis of orientation (0,90,180,270) you will receive an image, but along with that image, you will also receive a distorted image from unrelated data, the same can be said to hold true for the images on this blog, they are slightly "distorted", but contain a basic image, this in itself means that at least "phase drifting" was utilized to layer the images upon the lid, advanced understanding of Newtonian techniques, and scalar relativity were involved as well. If this holds true, the image will repeat at a certain point (reaching the maximum resolution used) and will produce a large sums of images, the problem is the approach, without a cypher key (knowing the pattern used and its beginning point of origin) the translations will remain skewed and incomplete.

You are all welcome to post your comments should you desire to, this has become a Pandora's box (as it were) and I have many things on the plate. I will continue this, but I cannot post everyday as other things call for attention.. but I will try...

James A.

Updates in the photos

The above image is just one of the examples that one can expect when you work with the image contained within the paremeters of the tomb lid itself.. This image was first cleaned up of the "rough" rubbing surface that was between the raised surfaces of the carved image, I did not remove nor alter any of the raised surfaces, I needed a "cleaner" image to prevent confusion of the raised image versus the "level" playing field that is between the raised images itself.

That said, the above image is produced from 1/4 of the entire image itself, the line used to cut along the central axis, was based upon the "four seasons" mentality that the Mayans followed. That is why the axis is based upon the 0,90,180,,270 degree representation. each one represents a specific time of year as it is known then and now, even the basic Indian belief structures centered and still center around this basic concept.

here is another one for you to see:



Now the law of probabilities will dictate that eventually I will receive a repeating pattern, however even with the symmetrical layout I present before you, the detail or "resolution" (the point at which the smallest common denominator is achieved) is on a very small level indeed.

This would indicate that there is a "limit" to the resolution, however beyond the limitations of the resolution, the exact nature and refinement of the "sequences" is left up to the observer and or manipulator of the image.

Any one in basic geometry would understand that any geometrical object will eventually repeat itself in a predictable pattern after anything above the usual 2 or 4 steps of division of the image. but these do not happen until the level is very small in slice among the image either horizontally or vertically thereby showing an intended "curvature" in the design..

You can reproduce these two (there are more coming) but I suggest using 1/4 divisions along the lines I have already prescribed (they are self evident within the layout itself, so you are not "adding" anything to the analogy )

James A.

Font color

Ummm after letting my eyes settle back down from finally realizing that the color scheme I picked was toooooooo sharp in contrast, I picked a more subtle text font color to keep you from having a seared image on your retinas after looking away (some things slip by me when I have so much going on lol!)

Just an update

I have many, many more pictures I need to get on this blog, so be patient, I am in the process of getting them together so I can post some of the other variants I have found int he Mayan tomb of the King of the Mayans